Time-space compression in Emily Brontë’s Wuthering Heights

Josh Poklad

    Research output: Contribution to journalArticlepeer-review

    1 Citation (Scopus)


    This essay provides a reading of the geographical structure of Emily Brontë’sWuthering Heights. Using concepts borrowed from the theory of Mikhail Bakhtin and David Harvey, it shows that the geography ofWuthering Heightscomprises a juxtaposition of two temporally and spatially contrasting environments. The interaction between these two geographies is interpreted as Emily Brontë’s exploration of the conflict between capitalist and feudal socio-economic systems, and, more broadly, between social and cultural modernity and Britain’s pre-modern past.
    Original languageEnglish
    Pages (from-to)100-108
    Number of pages9
    JournalBrontë Studies
    Issue number2
    Publication statusPublished - 9 Mar 2017


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