Abstract
In this paper, I shall demonstrate the value of the concept of literary thickness - i.e. form-content inseparability - As a tool of literary appreciation. I set out the relationships between non-fiction, fiction, literature, and poetry in Section 1 and sketch a preliminary definition of literary thickness in Section 2. I argue that a convincing account of reference in literary fictions can be provided by means of literary thickness in Sections 3 and 4. I argue that the match between authorial intention and reader response characteristic of the experience of literary works is explained by literary thickness in Section 5. In Section 6, I test the usefulness of the concept of literary thickness against Peter Carey's True History of the Kelly Gang.
| Original language | English |
|---|---|
| Pages (from-to) | 343-360 |
| Number of pages | 18 |
| Journal | British Journal of Aesthetics |
| Volume | 55 |
| Issue number | 3 |
| DOIs | |
| Publication status | Published - 1 Jul 2015 |
| Externally published | Yes |