Abstract
Heraclitean Meditations – River Reflections
No man ever steps in the same river twice, for it’s not the same river and he’s not the same man.
Heraclitus
To regard a landscape, often, is to appreciate the tranquillity and perspective of a view. The gaze lingers, slowly taking in the landscape. Rivers, as counterpoints to the surrounding stillness invite reflections on the transience of the world around
us as well as ourselves within it. These photographs take time to emerge – from a few seconds to over ten minutes – depending on
the subjects’ speed of motion. Thereby they reflect my particular time spent gazing at a river. My distance to different aspects of the landscapes, my minimal movements holding the phone
camera, the often changing light, all shape the images. Sometimes the images drift and rip off the frame, rendering incomplete views, implicating myself even more in the work.
Each image portrays an unrepeatable, indeterminate, Merleau-Pontian ‘thick moment.’ Essentially photographic and indexical, though not immediately recognisable, the work is exactly
therefore deeply personal.
No man ever steps in the same river twice, for it’s not the same river and he’s not the same man.
Heraclitus
To regard a landscape, often, is to appreciate the tranquillity and perspective of a view. The gaze lingers, slowly taking in the landscape. Rivers, as counterpoints to the surrounding stillness invite reflections on the transience of the world around
us as well as ourselves within it. These photographs take time to emerge – from a few seconds to over ten minutes – depending on
the subjects’ speed of motion. Thereby they reflect my particular time spent gazing at a river. My distance to different aspects of the landscapes, my minimal movements holding the phone
camera, the often changing light, all shape the images. Sometimes the images drift and rip off the frame, rendering incomplete views, implicating myself even more in the work.
Each image portrays an unrepeatable, indeterminate, Merleau-Pontian ‘thick moment.’ Essentially photographic and indexical, though not immediately recognisable, the work is exactly
therefore deeply personal.
Original language | English |
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Pages (from-to) | 5 |
Journal | Uncertain States |
Volume | 31 |
Issue number | 1 |
Publication status | Published - Jul 2019 |
Keywords
- panorama
- philosophy
- phenomenology
- photography
- temporality