Abstract
In this paper I adopt a Radical Constructivist approach to understanding the viewer's experience of motion in the cinema. Rejecting both realist and illusionist arguments, I argue that in watching a film the viewer constructs movement by generating the individual identity of an element of their perceptual field over time.
| Original language | English |
|---|---|
| Pages (from-to) | 173-189 |
| Journal | New Review of Film and Television Studies |
| Volume | 5 |
| Issue number | 2 |
| DOIs | |
| Publication status | Published - 2007 |