Abstract
In this paper I adopt a Radical Constructivist approach to understanding the viewer's experience of motion in the cinema. Rejecting both realist and illusionist arguments, I argue that in watching a film the viewer constructs movement by generating the individual identity of an element of their perceptual field over time.
Original language | English |
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Pages (from-to) | 173-189 |
Journal | New Review of Film and Television Studies |
Volume | 5 |
Issue number | 2 |
DOIs | |
Publication status | Published - 2007 |